Climate change poses a major threat to both the well-being of people and the environment. Subsistence farmers are particularly affected because they rely on local supply systems that are sensitive to climate variation. The aim of the study was to explore psychological resilience factors associated with climate change adaptation by subsistence farmers in a rural farming community in Maruleng Municipality in Limpopo Province (South Africa).

Although South Africa has factored the rights of the Lesbian, Gay, Bisexual, and Transgender (LGBT) community into its constitution, this does not necessarily guarantee that those who engage in same-sex relationships enjoy these rights in practice. South African lesbian sexuality is often suppressed and silenced. This is partly due to the fact that discourses position people in power relations. Dominant sexuality discourses in Africa privilege Black African heterosexuals.

Saul Msane was a prominent founding member of the ANC and an active journalist and editor of the ANC newspaper Abantu-Batho. His career generated controversy. Towards the end of his life, he had a feud with his colleagues in the African National Congress (henceforth Congress) that led to him being labelled isitha sabantu, “the enemy of the people” for his refusal to support the Shilling strike of 1918, an accusation which was retracted a year after his death in 1919.

Youth violence has been troubling the South African society ever since the country’s transition to democracy in 1994. Although the problem has been a countrywide phenomenon, certain provinces and cities, predominantly black inhabited townships in the City of Cape Town, have been most afflicted by the new form of youth violence, code-named ‘Gurans’. Cases of Gurans-related violence first appeared in the City of Cape Town’s townships around the year 2000 and have exponentially increased. Of these townships, Khayelitsha has been the most afflicted.

Digital technologies are increasingly revolutionising music consumption patterns globally. Consequently, there is an emerging culture in which online tools have become primary platforms for music consumption. In this postmodern era, digital technologies make music easily accessed, consumed and shared, thereby providing a seemingly global recognition to artistes beyond their immediate geographical market. As a result, artistes sometimes distribute their music for free with the intention to reach potential consumers.